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Japanese speaking practice

Japanese speaking practice: describe a small photo display

Use three pictures to give your Japanese speaking a visible result. One person describes a display; another rebuilds it from the spoken instructions. You can also record a description and reconstruct it later on your own. This task develops a small set of position and identification phrases, then adds clarification and a personal comment. The pictures can be drawings, so you do not need travel photographs or a large vocabulary.

Reviewed · 8 min read · Flalingo editorial team

1. Prepare a display with information to communicate

Choose three simple images: a mountain, the sea and a cat. Draw them yourself or use photographs you are allowed to use. Make two copies of each image and give one set to your partner. You will arrange one set in a row while your partner keeps the other set mixed.

Agree that left and right refer to the row as seen from the same viewing direction. Sit side by side with a screen or book between the displays if that helps. A mirrored arrangement can create confusion unrelated to Japanese, so settle the viewpoint before you begin.

Your first goal is concrete: the listener places the pictures in the same order as the speaker. You do not have to tell a sophisticated story about the images. Starting with a visible outcome gives you something more useful to review than whether you sounded fluent in a general sense.

2. Learn the words needed for this particular task

The position words are 左, read ひだり, for left; 真ん中, まんなか, for middle; and 右, みぎ, for right. The Japan Foundation's Hirogaru article uses these words to distinguish objects in an image and provides audio. Notice how a position word helps the reader identify the relevant object.

For your display, use 山, やま, for mountain; 海, うみ, for sea; and 猫, ねこ, for cat. Add 写真, しゃしん, when you want to say photograph. If you are using drawings, 絵, え, is a suitable word for a picture or drawing. Choose one set of terms and keep it stable during the first round.

Make a vocabulary card with the Japanese, a small sketch and the meaning. Check the audio for any unfamiliar reading before you record. This is preparation for a specific message; you do not need to memorise every Japanese word for scenery or animals.

Your intentionPossible Japanese lineTask outcome
Identify the left image左は山の写真です。The mountain photograph is placed on the left.
Identify the middle image真ん中は海の写真です。The sea photograph is placed in the middle.
Identify the right image右は猫の写真です。The cat photograph is placed on the right.
Ask for a missing detail右は何ですか。The missing right-hand image is identified.
Check a possible answer猫の写真ですか。The proposed identification is confirmed or corrected.

3. Describe the row without pointing

Arrange the mountain on the left, the sea in the middle and the cat on the right. Describe the row using the first three table lines. Speak in complete short phrases and pause between the facts. Keep your hands away from the listener's pictures so they must use your speech to make the arrangement.

The Japan Foundation's Marugoto review includes describing pictures and exchanging information about where things belong. The display here is our own exercise. Its small vocabulary lets you concentrate on conveying a position and an identity in the same turn.

After all three descriptions, compare the rows. If the pictures match, ask the listener to describe their row back to you. If they do not, identify which instruction led to the mismatch. Do not immediately reread the entire description faster; isolate the fact that needs repair.

4. Build a question into the next attempt

In the next round, the listener should ask about one position even if they think they understood it. 右は何ですか means what is on the right in this display context. The speaker answers with the picture's identity. A short answer such as 猫の写真です is enough when the position is already clear.

Then reverse the roles and change the order. The former listener now knows the task, but cannot rely on the previous sequence. They must connect each new position word to the correct picture. This is a small information gap: the speaker has something the listener needs to discover.

Keep clarification cooperative. You are checking a shared display, not trying to trick someone with deliberately unclear speech. If you need a repeat, ask for one; if a word is unknown, show it after the round and practise it with its audio. The next attempt should test the clarified word in a new order.

5. Choose one sound detail to inspect

In しゃしん, the initial しゃ is a combined kana unit. Avoid inserting an extra i so that it becomes a separate shi-ya sequence. TUFS's consonant-glide explanation describes how a small ゃ, ゅ or ょ combines with the preceding kana. Use the written word and audio together to check your version.

You could instead focus on completing です in each identification or keeping a position phrase connected. Choose only one feature for the current recording. If you try to adjust every consonant, vowel and pitch movement while also remembering the picture order, it becomes difficult to tell which change helped.

Regional pronunciation can differ, especially in pitch patterns. Use a consistent model for comparison, but do not treat every difference from it as an error. A listener who selects the intended image gives you evidence about this task's clarity. That evidence does not settle every question about your accent.

Say it aloud

Describe the display in three clear turns

6. Adapt the exercise for solo practice

Arrange your pictures and take a private reference photo of the row. Record the description without naming your file after the order. Mix the pictures, set the reference aside and return to the audio later. Rebuild the row from what you hear, then compare it with the reference.

You may remember the arrangement, so this is not a blind test of comprehension. To reduce that cue, record several different orders and select a recording without looking at its reference image. Keep the exercise light: the purpose is to notice unclear language, not to create a complicated testing system.

Once one recording is clear, make a second version with a small change in phrasing, such as asking a question before giving an identity. You can play both roles with a pause between them. Leave enough time for an actual answer instead of automatically launching into the next line.

7. Compare recordings with a specific question

The Japan Foundation's teaching note on spoken practice discusses recording before and after focused pronunciation work and attending to phrase boundaries. Apply that idea narrowly: save a first attempt, work on one feature and listen to the second attempt beside it.

Ask a concrete question, such as whether 左 is now distinguishable from the following phrase, or whether 写真 still contains an added vowel. Also check that the picture identities remain correct. A pronunciation change is not helpful if concentration on the sound makes you name the wrong image.

The Japanese pronunciation test gives word accuracy, fluency and completeness feedback for its reading task. It does not check your display order or provide an individual phoneme, pitch-accent or CEFR assessment. Use it as a separate sample of your reading, and keep the picture reconstruction as your communication check.

Free pronunciation practiceTry a Japanese reading sample in the pronunciation test, then return to the photo display and check one feature in your own recording.Test your pronunciation →

8. Add a personal choice after the description works

Choose a favourite image and say which one you like. You might add 猫の写真が好きです, meaning I like the cat photograph. Your partner then states their own preference. A different choice gives you a reason to listen even when you both already know the display order.

If you are ready, add one true detail about why you chose an image, using language you have checked with a teacher or course. You can also keep the task simpler by changing just the order or using two pictures instead of three. The level of challenge should match what you can meaningfully say.

At the end, save a brief note: the arrangement was clear, one word needed repetition, or the position question was difficult. Pick the next practice from that observation. There is no required number of daily rounds and no promised fluency deadline; the useful result is an understandable message and a specific next step.

Frequently asked questions

Do I need real photographs from Japan?

No. Simple drawings of a mountain, the sea and a cat are enough. The task practises describing a visible arrangement. Real locations, travel experience and personal photographs are unnecessary, and you can use entirely fictional images.

Can I practise if I cannot read kanji yet?

Use the supplied hiragana readings on a small note beside each word and compare them with audio. The practice card preserves ordinary Japanese writing, but your preparation can include kana support. Learn the words as complete items rather than guessing kanji readings.

What if my partner arranges the pictures backwards?

First check that you agreed on the same viewing direction. If the viewpoint is consistent, replay the position words and ask which one was heard. A practical setup error and a Japanese listening error need different fixes.

How is this different from reading three sentences repeatedly?

The listener must reconstruct information that only the speaker can see, and the order changes between rounds. Questions and corrections can affect the result. Reading a model prepares you, while the hidden arrangement requires you to choose language and respond.

Sources

  1. Japan Foundation: Hirogaru visual position descriptionsChecked:
  2. Japan Foundation: Marugoto starter conversation reviewChecked:
  3. TUFS: consonant-glide combinationsChecked:
  4. Japan Foundation: opportunities for spoken practiceChecked:

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